Our deepest thanks to all the great people who came out to SC:SSO:DST. It was our best, most elaborate production to date and the crowd and the band both responded with epic performances. I can't wait to dig into the tape. I feel confident in predicting it will be the best video content we've put together yet. Huge thanks to all the people who helped make this show a success: Somerville Symphony Orkestar, The Davis Square Theatre, Frank Hegyi and crew, Geoff Nielsen, Charlie Gargano of The Murdock Manor, Joe Turner, Ian Nault, Chris Jacques, and more.
Our friends over at WEMF and Citywide Blackout have posted the audio archive of my interview there on 9/10. I name-dropped a ton of awesome artists and scene freaks talking about our upcoming Davis Square Theatre taping, including the Somerville Symphony Orkestar, Moon Hooch, Elephant Wrecking Ball, Murdock Manor Presents, and more. We also talked about burning the city of Boston to the ground
This was a great talk with Matt Zappa and Max Bowen, and if that wasn't enough, I dropped a solo acoustic version of a BRAND NEW TUNE we're gonna record at SC:SSO:DST.
As it happens, Church had a very lucrative matinee booked. The Who were playing in town that weekend and Pete Townshend's brother Simon did an evening solo set of genuinely forgettable Irish-ish pub backwash. All 5 bands wound up stacking their gear on the cold pavement outside, as Simon's 3rd, 4th, and 5th encores went well past our scheduled load in and sound check. Meanwhile the crowd of baby boomer Who groupies racked up big tabs on high limit credit cards. Finally, we rushed our gear in well behind schedule and SAH did a quick line check.
I will never forget the look of horror on the manager's face when Jay, Tim Doherty and company unleashed their auditory assault on that stuffy ass room. Thousands of dollars in bar sales fled for the nearest exit while SAH shook the foundations and rattled the windows. It was a perfect disaster; I could only barely suppress my sadistic glee while feigning ignorance of SAH's style to the manager.
It definitely wasn't the best gig we had at Church, those always came later with Benny Tucker. But man, sometimes there is something to be said for bombing with style. If ever a room deserved to get hit with a bomb, it was that one.
Raise a drink to a great local club; no watering hole is perfect but Church felt that way once in a while.
NYC trio Consider the Source defy easy description. If intergalactic beings of pure energy, after initiation into an order of whirling dervishes, built some kind of pan-dimensional booty-shaking engine, powered by psychedelics and abstract math, it'd probably just sound like a CTS tribute band. Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed “Sci-Fi Middle Eastern Fusion”, the band's music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.
For the second consecutive year, we here at STRANGE CHANGES are going to bring our own brand of madness to a LIVE TAPING at the Davis Square Theatre. Last year this event yielded our wildly popular cover of The Dillinger Escape Plan's "Prancer" along with an excellent full set of video from Boston art-rock legends Bent Knee.
It was so much fun we're doing it again. This time we're bringing along the Somerville Symphony Orkestar and we're going to do a FULL SET of music, including SC classics, material from our upcoming full-length album, and yes, more covers.
It's going to be the biggest, best production we've put together yet. We can't WAIT to see you all there.